1. |
March 3rd
02:40
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Yes, I know I wasn’t called a bastard. There's no one left to give a damn; these lessons aren’t brand new. Fashion takes the blame when candor walks out on forsaken love and jealousy performing at the mall. Feel the warmth inside my hands. I’m losing you. We’re steady riding nothing, holding on beyond our view. Jettisoned to jetsam in another year or two. We won’t know the truth unless the tangle gets unscrewed.
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2. |
First of Many Popsicles
02:32
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3. |
Careful & Forgiving
02:27
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4. |
Caught Me Slippin'
02:20
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5. |
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6. |
Starcade
02:30
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7. |
Back When I Was in Rehab
01:11
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8. |
So This Is Immortality
02:31
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9. |
Before (feat. Melissa Q)
02:15
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10. |
Another Microphone
01:48
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11. |
Flying Cross
02:11
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12. |
No One Knows I Left
02:53
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13. |
Exile
02:32
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Continuals Washington, D.C.
Three human friends who have been in a bunch of other bands before this one. Darren plays drums. Michael plays bass. Ryan plays guitar and "sings."
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supported by 42 fans who also own “CONTINUALS”
A fantastic album. I can see why they didn't continue under the name The Evens, as it's a different sound with the bass added. Coriky is the Evens + Joe Lally from Fugazi on bass. If you can imagine The Evens with a slightly more funky, aggressive sound like Fugazi... that's what you get! And there's no way that can ever go wrong. What a great debut album!!
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supported by 31 fans who also own “CONTINUALS”
This album is amazing from start to finish! It's got such a cool, poetic, punk rock vibe. Hits the soul, for real. Please come play in Miami, Florida soon! Thank you for your art!
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450 / I Seek Misery
by Die! Die! Die!
This two-track EP from the Auckland-based post-punk outfit mixes punk and hardcore aesthetics.
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This Baltimore group rough up post-punk with dark post-hardcore riffs and chaotic choruses, never losing a fine-tuned sense of melody.
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Blistering post-punk from the UK powered by 100mph guitars and panicked vocals.
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"Backpfeifengesicht" b/w "Airstrip One"
by Channels
supported by 23 fans who also own “CONTINUALS”
Another politically charged punk EP in 2016? Yeah. This could've been horrible, but instead it manages to be great. It seems that J. Robbins can always manage to get amazing musicians together to create great music with him. The female vocals are sick too. Feels like early pixies.
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